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Aristocratic warriors and ladies, overbearing priestesses
                                                         and grapes dating back 2,700 years, Pharaonic eyes, bees
                                                         and shields, but mostly, funerary customs and practices
                                                         of war, such as those described in Book XXIII of The
                                                         Iliad, reveal the Homeric traditions that run through the
                                                         Aegean. Ancient Eleutherna, 30 km south of the city of
                                                         Rethymnon, literally came to the surface piece by piece,
                                                         thanks to the persistence and vision of the University
                                                         of Crete and the Professor of Archaeology and Director
                                                         of the Museum of Cycladic Art Nicholas Stampolidis,
                                                         with excavations only getting started in 1985. Just a few
                                                         centimetres under the surface, a city inhabited from 3000
                                                         BC to the 14th century was waiting to be discovered. The
                                                         unearthing in 2009 of the domed chamber tombs and the
                                                         remains of four aristocratic priestesses from the 8th cen-
                                                         tury BC had been listed as one of the 10 most important
                                                         archaeological discoveries of the year by US Archaeology
                                                         magazine. Great archaeological interest was also generated
                                                         by the discovery of other findings at the Orthi Petra site
                                                         (Upright Stones), one of the necropoles of Eleutherna.
                                                         In 2016, the Museum of Ancient Eleutherna was inaugu-
                                                         rated. The findings contained in three halls of the museum
                                                         officially named “Homer in Crete” will impress visitors,
                                                         as they always do wherever they have been exhibited.
                                                         In the first hall, gold masterpieces from Eleutherna and
                                        other city states reveal the life, ritual and relationships of humans in this part of the
                                        world during the Greek Dark Ages (11th-8th centuries BC). Aspects of religious life
                                        and worship are presented in the second hall, which also houses a monument to
                                        the “unknown soldier”, the first in European history and one of the oldest in the
                                        world. In the same room visitors will admire the Eleutherna Kore (circa 650 BC),
                                        built of the same local limestone from the Peristere quarry as the Lady of Auxerre,
                                        the famous Deadalic Cretan sculpture housed in the Louvre. The third hall is
                                        dedicated to the necropoles of Eleutherna. Among the exhibits, the funeral pyre of a
                                        young aristocrat warrior stands out, with funeral offerings preserved in front of the
                                        remains. On the northwest edge the remains of a headless, unburned male skeleton
                                        came to light, which brings to mind the Homeric description of Patroclus’ funeral
                                        pyre and the twelve aristocratic Trojan warriors who were executed in retaliation of
                                        his death by Achilles and the Achaeans.
                                        The symbols of the museum are a bee and a shield. A gold bee-goddess was depicted
                                        on the jewellery found in an unplundered tomb dating from the 8th century BC in
                                        Orthi Petra. It was placed around the neck of a young woman, whose bones were
                                        found in an urn with the bones of two other women and the unburned bones of a
        Info:                           mature man. In Crete, this is the first instance of the worship of Melissa in the form
                                        of a bust of a woman holding her breasts, with flowers depicted on the wings of the
        Open: Tuesday-Sunday, 10.00-18.00  insect. According to one version of the myth, Melissa was the sister of Amalthea, the
        Mondays closed                  wet nurse of Zeus in the Idaean Cave, where he has been hidden by Rhea –his moth-
        Τρίτη-Κυριακή, 10.00-18.00      er– to save him from his child-eating father, Cronus. Yet the bee was also chosen for
        ∆ευτέρα κλειστά                 this role due to its symbolism: the tough yet productive work that tastes sweet.
        Tickets - Εισιτήρια:            The shield, on the other hand, protects the values and ideas of this entire venture,
        Full - Κανονικό: 4€             and of course, the museum houses an artifact to represent this choice: a bronze shield
        Reduced - Μειωµένο: 2€          from the 9th-8th century BC, which sealed the funeral urn of an aristocratic warrior,
        Tel. & Fax: 28340 9250          protecting him through eternity. The shield depicts the head of a lion, with sphinxes
        Eleytherna, Mylopotamos, Rethymno  on either side. Again, the myth of Zeus tells of the Kourites, the good-natured myth-
        Μυλοπόταµος Ρεθύµνου            ical creatures and also the first inhabitants of Crete, who would strike their bronze
        mae.com.gr                      shields so that Cronus would not hear baby Zeus crying. It is this shield, together with

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