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                                                Yannis Smaragdis
                                                “Kazantzakis is the

                                                soul of Crete”

                                                The multi-awarded Greek director speaks to Grec14n
                                                Magazine about his latest film, the simplicity of life
                                                and the majesty of Crete. Ο πολυβραβευμένος Έλληνας
                                                σκηνοθέτης μιλάει στο Grec14an για την τελευταία του
                                                ταινία, την απλότητα της ζωής και το μεγαλείο της Κρήτης.

                                                by Elena Mathiopoulou


                                                From the first moment that we   and work of  the renowned phi-
                                                met, our conversation with Yan-  losopher Nikos Kazantzakis.
                                                nis Smaragdis was taken to a   Why him? And what do all
                                                higher level –deeper, more intel-  these personalities have in
                                                ligent and spiritual, accredit to   common?
                                                this great Greek director. “When   These are sheer pillars of the
                                                [renowned Greek actor] Stathis   Greek soul; pure light –and yet
                                                Psaltis came to me, I told him:   of Greek color–, personalities
                                                ‘Your acting skills are well-known   that showed deep and true love
                                                already. What I want from you   for Greece, the cradle of its peo-
                                                is to dig out your soul.’ His an-  ple and of an entire culture. Fur-
                                                swer was: ‘That’s what I’m here   thermore, their work enrich-
                                                for anyway.’ He knew he would   es the civilization that gave birth
                                                die soon. Actually, he was gone   to them in the direst of circum-
                                                before watching the film, he was   stances. My wish was to com-
                                                only shown a few shots. Some-  municate with what these per-
                                                time later, a man who was well   sons represent: our higher self. I
                                                aware of psychic powers, came   also believe that it’s not really the
                                                and told me: ‘the ethereal body of   director who chooses the lead-
                                                Psaltis must have left some eight   ing actor; there’s something that
                                                months earlier.’ Only the ‘intel-  pushes you to do so, and when
                                                ligent’ part of his existence had   you do it with love, everything
                                                been there, so as to leave his trace   works out the way it should.
                                                in the film, just as he did on stage
                                                when he played Shakespeare.   What was Nikos Kazantzakis’
                                                This happened –if all this is true–   greatest controversy?
                                                because he was a philanthropist.   Being a proud Greek in times of
                                                The universe, therefore, gave him   anthellenism.
                                                the chance to remain in paral-
                                                lel so as to leave his mark the way   What does faith mean to you?
                                                he wanted, and then leave this   It’s a subject that is illustrated
                                                world.”                  in your film as well.
                                                                         Kazantzakis was fully aware of
                                                After the “global Greeks”, Ka-  the Hyperuranion. Plato, Pythag-
                                                vafy of Letters, El Greco of Arts   oras, Jesus Christ, he felt them
                                                and Varvakis of Benefaction,   all deep inside. As we can see in
                                                you chose to illustrate the life   his books “Christ Crucified” and

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