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In conversation | The Cretan point of view


























           Scenes from
         the shooting  of
         “Kazantzakis”.
           Σκηνές από
          τα γυρίσματα
           της ταινίας
         «Καζαντζάκης».
                                                     How about some backstage moments?
                                                     Two of them are the most striking to me. The one is when
                                                     we ended shooting the scene with Psaltis. When his wife
                                                     told him that I was crying while he acted, he came to me –he
                                                     knew that he would leave this world in a few days–, he held
                                                     me close to his shoulder like a baby and went “Aww, my
                                                     Yanni...”. The other is the last scene of Odysseas Papaspili-
                                                     opoulos with Marina Kalogirou, where they know that they
                                                     will take the trip that means death and he tells her “whatever
                                                     will be, will be. We will try to make each moment an eterni-
                                                     ty.” After their embrace, I was supposed to shout “cut” from
                                                     the monitor room, but I just couldn’t. Neither the actors or
                                                     the crew knew what to do next. At some point sobs where
                                                     heard, and then they understood that I was crying. When
                                                     they came close to me, I told them: “Elytis says that tears are
                                                     also a homeland that is never lost.” These are moments I
                    “The Last Temptation”, he was obsessed with   will never forget.
                    Jesus Christ. They called him a blasphemer,
                    but they were ignorant, they hadn’t read his   What connects Kazantzakis’s personality with the Cre-
                    work. He was concerned with Jesus Christ be-  tan soul?
                    cause He is the Son of God that became hu-  He is the soul of Crete. His philosophy is the Cretan point
                    man in order to follow the life of humans. He   of view that is summarized like this: “Life is an uphill road
                    therefore had to suffer the “trial”, and the way   which you must walk in dignity and bravery.” Without any
                    He faces it is of utmost importance. And Jesus   intent to insult anyone, we, the Cretans, have an extra lay-
                    suffered it patiently. Kazantzakis faced all that   er of culture compared to the rest of the Greeks. It’s the Mi-
                    criticism in the same way. He used an amaz-  noan Civilization. The frescoes of the Minoan culture do
                    ing phrase: There is a universal law which says   not illustrate weapons. Peace lasted no less than two thou-
                    that the Evil wins but in the end it is defeat-  sand years for the Minoans. What is more, you can see fly-
                    ed. “If you are on the Good side, you cannot   ing gurnards in the Cretan frescoes, fish that try to fly.
                    be defeated.” And he did so, with excellent life   Kazantzakis tried to illustrate this Minoan attribute, pre-
                    examples.                        senting humans as the heroic element of Crete. Like the flying

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